“A choreography that turns silence into presence — bodies seem to emerge from the Gothic architecture of the abbey as if they had always been there.” — Corriere della Sera, Il Nome della Rosa, Teatro alla Scala (translation from Italian)
“Erika Rombaldoni turns dancers into storytellers: bodies become living memory, political gesture, embodied narrative. Every movement is infused with visual imagination and emotional intensity.” — Il Messaggero (translation from Italian)
“One of the most successful performances of Monaco’s National Day celebrations: the dancers’ bodies become the language through which Joséphine Baker returns to the present.” — Monaco-Matin, Bonsoir Monte-Carlo